THE ART OF CINEMA COURSE - MODULE 1
FILM DIRECTION
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Overview of careers and Avenues in Filmmaking
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Overview of all workflows from Script to Screen
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Introduction to Film History
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Brief overview of Film History
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Introduction to the idea of Narration in Cinema
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Narration vs. Story
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Modes of Narration
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Concept of Time in Cinema
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Concept of Space in Cinema
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Problems of Visual Representation
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Realism vs. Filmic Realism
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Perception and Cognition in Cinema
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Cinema as an Art of Juxtaposed Images
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Use of Integrative Intelligence in Film Juxtaposition
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Narrative Strategies - Mimesis / Diegesis
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Strategies for Image Acquisition
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Single Take vs. Dramatic Analytic Style
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Control Over Film Tonality
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Elements of Film Style
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Grammar of Film Language
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Introduction to Continuity
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Repeat Action Shooting for Continuity
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180 degrees rule
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Subjectiv e and Objective Shots in Continuity
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Maintaining Eye line Continuity
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Jumping the axis
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Understanding Shot Division
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How to analyze movement
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Maintaining Continuity in Drama
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Optimizing Shot Breakdown
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Creating a Shooting Order of shots
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Continuity Film Assignment
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Introduction to Mise – en – Scene
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Elements of Mise – en – Scene
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Shot Design
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Actor Choreography
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Camera Movement Design
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Set Design
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Floor Plans
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Section Plans
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Shot Duration
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Film Planning
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Film Budgeting
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Film Scheduling
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Film Pitching
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Film Financing
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Man Management and Crew Hierarchy
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Making Call Sheets
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Making Continuity Sheets
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Following Correct Shooting Protocol
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Continuity Film Assignment - 2
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20 Shot Continuity film Shooting by Students
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Data Management Logistics.
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Understanding Film Trade
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Marketing and Distribution New Media