COURSE CURRICULUM
THE ART OF CINEMA COURSE IS A SINGLE INTENSIVE COURSE THAT TEACHES ALL ASPECTS OF FILMMAKING. WE ARE LISTING BELOW THE FIVE MODULES THAT ARE TAUGHT IN A CAREFULLY DESIGNED TIMETABLE SO AS TO ACHIEVE A PERFECT BALANCE OF THEORY AND PRACTICE.
PLEASE NOTE - THE FIVE MODULES ARE PART OF A SINGLE COURSE AND NOT DIFFERENT COURSES BEING OFFERED HERE.
Module 1
Film Direction
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Overview of careers and Avenues in Filmmaking
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Complete Technical Workflow from Script to Screen
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Brief overview of Film History
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Introduction to the idea of Narration in Cinema
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Cinema as an art of Images
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Cinema as an Art of Juxtaposed Images
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Concept of Time in Cinema
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Concept of Space in Cinema
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Problems of Visual Representation
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Narrative Strategies - Mimesis / Diegesis
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Strategies for Image Acquisition
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Single Take vs. Dramatic Analytic Style
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Elements of Film Style
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Grammar of Film Language
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Shot Break Down
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Introduction to Continuity
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Rules of Continuity
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Optimizing Shot Breakdown
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Introduction to Mise – en – Scene
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Elements of Mise – en – Scene
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Film Planning
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Film Budgeting
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Film Scheduling
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Film Pitching
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Film Financing
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Man Management and Crew Hierarchy
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Making Call Sheets
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Making Continuity Sheets
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Understanding Film Trade
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Marketing and Distribution New Media
Module 2
Screenwriting
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Introduction to Script Writing Softwares
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Introduction to Correct Script Writing Formats
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Short Story Ideation
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How to select subjects for stories
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Theme + One Para Story Submission
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Managing Space and time
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Introduction to Theme
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Introduction to Plot
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Introduction to Character
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How to create plots
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How to create characters
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Screenplay writing Assignment - 2 (One-Character One-Space)
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Submission of Assignment - 2 (One-Character One-Space)
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Analysis of Screenplay Writing Assignment - 2
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Introduction to Fabula/Syuzhet
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Introduction to Narrative structure
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Introduction to Canonical Structure of Narratives
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Introduction to Non- Linear Structures
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Creating Subplots
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Set up and Pay off Structure
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Using Archetypes, Mythotypes
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Using Stereo Types
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Demonstration of Step Outlines
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Introduction to Hero’s Journey.
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12 Step Process of Hero's Journey
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Save the Cat Beat Sheet
Module 3
Cinematography
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Introduction to Cinematography
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Introduction to Visual Literacy
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Visual Language vs. Phonetic Language
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Elements of Visual Design
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Principles of Visual Composition
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How the Video Camera works
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The Physics Of Optics
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Understanding Sensors
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Understanding CODECS
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Introduction to Various Camera Formats
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Introduction to lenses
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Types of Lenses
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Focal Length
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Aperture
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Shutter Speed
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Depth of Field
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Depth of Focus
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Description of Shots based on Optical Qualities
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Description of Shots based on Mechanical Movement
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Camera Perspective
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Camera Angle
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Image Magnification
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Introduction to Lighting
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Importance of Lighting in Cinema
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Different Types of Lights
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Various Lighting Strategies
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Colour Temperature
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Ratio Lighting
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Shooting in Available Light
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Practical Demonstration of Lenses
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Understanding RAW / LOG C
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Understanding REC 709
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Understanding LUT
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Introduction to DI
Module 4
Editing
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Introduction to Editing
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Brief Overview of Entire Editing Workflow
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Understanding the Concept of Juxtaposition
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Introduction to Editing Scenes
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Maintaining unity of Space, Time & Action
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Introduction to Classical Continuity
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Aims and Objectives of Classical Continuity.
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Rules of Continuity
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Intra Cutting
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Inter Cutting
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Relational Editing
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Positional Relational Directional Continuity
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Understanding Eye line Match
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Continuity in movement.
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Types of Match Cuts
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How to break Continuity
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Introduction to FCP and Premiere Pro
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Basic Operations on NLE's
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Ingestion of Rushes
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Transcoding From RAW to Editable Rushes
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Printing on Screen Metadata
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Understanding Codecs
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Editing Action Sequences
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Editing Comic Sequences
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Editing Montages
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Working with VFX
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Working with Graphics
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Introduction to Modern Approach to Continuity
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Understanding Fugue Moment
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New understanding of Cutting Patterns
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Completion of Editing
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Exporting Worklow
Module 5
Audiography
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Introduction to Sound Recording.
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Physics of Sound Recording
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Introduction to Sound Design
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Elements of Sound Design.
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Analysis of Sound Design.
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Introduction to Microphones
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Introduction to Digital Recorders
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Setting up Microphones during the Shoot
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Operating the boom rod
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Demonstration of Boom Rod Operation
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Introduction to Audio Post Production
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Introduction to Studio Recordings
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Evaluation of Sync Sound Tracks
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Use of ADR (Automated Dialogue Replacement)
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Introduction to DAW (Digital Audio Workstation)
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Introduction to Digital Audio Softwares (Audition, Audacity, Pro Tools, Logic)
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Ingestion into DAW
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Using OMF (Open Media Files)
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Conforming Tracks
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Track Layering
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Foley Effects
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Ambience Effects
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Dialogue Tracks (Sync + ADR)
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Music (Pre-Shoot + Background Music)
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Track Management
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Pre – Mix of Tracks
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Final Mixing