Introduction to Editing

Understanding the Concept of Juxtaposition

Neurological basis of Juxtaposition

Synaptic Activity

Mirror Neurons

Juxtaposition of Images and Sound

Editing Mimertic Units

Introduction to Editing Scenes

Maintaining unity of Space, Time & Action

Introduction to Classical Continuity

Aims and Objectives of Classical Continuity.

Rules of Continuity

Intra Cutting

Inter Cutting

Relational Editing

Positional Relational Directional Continuity

Understanding Eye line Match

Continuity in movement.

Types of Match Cuts

Cut in Motion

Cut at Rest

Objective and Subjective Shots

Analysis of Continuity in Films

Brief Overview of Entire Editing Workflow

Introduction to FCP (Or Any Other NLES)

Basic Interface NLES

Basic Operations

Ingestion of Rushes

Transcoding From RAW to Editable Rushes

Printing on Screen Metadata​​

Understanding Codecs

Editing Action Sequences

Editing Comic Sequences

Editing Montages

• American Montage​

• Russian Montage

• French Montage

Introduction to Modern Approach to Continuity

Understanding Fugue Moment

New understanding of Cutting Patterns

Cuts of Affinity

Cuts of Descension 

Cuts of Displacement

Ingestion of Continuity Film - 1 Rushes

Transcoding

Editing Continuity Film with Operator

Completion of Editing

Exporting the films

Screening of films

Viewing and Analysis of Continuity Films